by phillipw | May 26, 2020 | BR, CH, ED, HI, Ho, HU, MU, PA
Holy Innocence We wonder if the organist who spelled Out basic counterpoint and how to write Down harmony knew that this later swelled To eight-part glory in a music bright As heaven’s capital with streets of gold And gem foundations. Highnam’s Edward...
by phillipw | May 26, 2020 | CH, HU, MU, PA, SA, TW, WE
Early Sprinkling by Samuel Sebastian Wesley From Twyford deeper waters start to flow. At least that is the place where Wesley poured The priming of the well. The master’s glow Went down into the learner’s core. The chord Struck then could not be banished by the will...
by phillipw | May 26, 2020 | BA, CH, HU, JO, MU, PA
At the Solitary Age of Twelve— Seven and Twelve Being Holy Numbers The first of seven early music books Reveals a boy methodical as Bach. He studies Bach’s first 48. He looks In detail, analyzing. “Let us talk,” He seems to say, “Just you and I alone. You...
by phillipw | May 26, 2020 | CH, HU, MU, PA
Harmony in Horticulture So chants and hymn tunes seem to be his first Attempts and one, an LM tune, was for The Church of England hymnal. This young burst Of writing, this foundation made the soar To heights his possibility. From these, These simple seeds, his...
by phillipw | May 26, 2020 | CH, ET, HU, MU, PA
Revising Early Compositions at the Age of Seventeen, Eton In 1865 at seventeen The Eton schoolboy cast his eyes back through His early compositions. With their sheen Of amateurishness he held the view That they should be revised or put away. Imagine being so advanced...
by phillipw | May 26, 2020 | CH, ET, HU, MU, PA
Forced Freedom Emily Daymond surveys the Eton schoolboy’s self-assessment of his music while a teenager reacting partly to his composition teacher giving him only fugue and canon assignments. At Eton Hubert’s music was addressed By him in daily entries in...
